For another good review of the album, though not track-by-track, you might enjoy Times’ review. I certainly did- it summed up my feelings mostly perfectly, by tying it in with some of the nostalgia that is coming to dominate our culture, and looking at the ways we use it as a shorthand to avoid exploring alternate ideas.
“I keep looking deeper into Ultraviolence because I want to understand what Del Rey is trying to understand. I want to know why the culture around me keeps grasping at past emblems — why advertising for 40-year-old movies still decorates college dorm rooms, why I can make my iPhone look like a Polaroid, why 90,000 people sing along to roots rock at Bonnaroo. I want to know why we reuse these tropes uncritically, reaching for analog without asking what gives it power. Lana Del Rey looks at the imagery we keep and tries to find what’s missing in it. What do we avoid looking at when we buy pictures of Marilyn Monroe, not thinking of why Norma Jeane Mortenson died so young? Whose stories do we allow to remain subdued?”